Learn how and when to remove this template message, Black Magic Night: Live at the Royal Festival Hall, Sounds Like London: 100 Years of Black Music in the Capital, "2006 seminars at Musical Workshop Labyrinth, Crete, Greece", "Ghana Base dot Com | The Ghanaian Highlife Music Story", "Osibisa Betrayed My Dad - Kiki Gyans Daughter", "We "took care of Kiki Gyan even after he left" Osibisa", "Osibisa Founder, Teddy Osei's Last Tribute To Mac Tontoh", "The Official OSIBISA Website – Colin Graham profile", "Abdul Lasisi Amao | Biography & History | AllMusic", https://en.wikipedia.org/w/index.php?title=Osibisa&oldid=1000417365, Articles needing additional references from December 2010, All articles needing additional references, Articles with unsourced statements from August 2018, Wikipedia articles with MusicBrainz identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, O, O-S-I-B-I-S-A, Osi Bisa, Osibisi, Osibissa, オシビサ, This page was last edited on 15 January 2021, at 00:59. This is what makes the 7os so rich and memorable. Issued in 1997 CD format by Red Steel Music Ltd. RMC 0208. The band’s true power only fully came across on stage, when African village scenarios and a mastery of rhythm and melody summoned up energy and spirit. lt was, he remembers “a time when young people had more of an international outlook than they have now. They wrote their own songs, and found that their new musical style appealed to young rock fans “so we started playing on the London underground rock scene, playing at clubs in Soho and supporting rock bonds at venues like the Marquee. Bailey was replaced by Kiki Gyan before "Sunshine Day"′s release. This extensive six page article is essential reading, so you can pick it up with your essential food supplies or better still subscribe to this amazing music magazine. Get the best deals on Osibisa Lp when you shop the largest online selection at eBay.com. Vocal Backing Track MP3 $1.99. Sunshine Day Sunshine Day - Osibisa - MP3 instrumental karaoke. My Eyes Adored You. "[2] In 1962, Osei moved to London to study music on a scholarship from the Ghanaian government. Sunshine Day bass tab by Osibisa. It upset critics in the UK who felt they had moved too far from their African roots with song that had been recorded by The Andrews Sisters in The Forties (and was later covered by Frank Sinatra), but it brought them yet another hit single. Even the melodies take bits of rhythm & blues and modern rock and affix them to the accompanying percussion beats to come up with a contemporary feel with an avant-garde atmosphere. Continue. See more ideas about best song ever, youtube, kule. ln the first Osibisa line-up they were joined by a Nigerian percussionist and three West lndians, including the rock-influenced guitarist Wendell Richardson. By qjproductions (Brooklyn,NY,USA) Use a mixing console in Pro version. Listen to Pata Pata (I Feel) by Osibisa, 1,150 Shazams, featuring on Outstanding: Fuse ODG Apple Music playlist. Osibirock features "Negro Attacked by a Jaguar" (1910) by Henri Rousseau. Osibisa were among the first Afro-Pop bands to cross over to European and American audiences in the early 1970s. Add to playlist. Our audience were all white guys- there were very few Ghanaians around!”. In 2009, their Osee Yee album featured the flying elephants once more, this time painted by Freyja Dean (Dean's daughter). Even so, Teddy was determined to do even better, and in 1962 he moved To London to study music and drama. Rhythm, in music, the placement of sounds in time, generally considered as an ordered alternation of contrasting elements. Formed in 1971 their unique fusion of African, Caribbean, Rock, Jazz, Latin and R‘n’B paved the way for world music, disco, reggae and Bob Marley and… Osibisa were one of the first African bands to become widely popular, leading to claims of founding World Music. The band's members, hailing from Ghana and the Caribbean, came together in London and quickly made an impression on the university circuit. He also had the chance to work with Kiki Gyan a few days before his death. Opener "Dawn", which begins with the immortal translation of Osibisa, builds on a rhythm of percussion until giving way to let the individual soloist bring the song to a rousing conclusion - some seven and a half minutes later. The Dizzy Gillespie Afro Latin Experience. Roger Dean's logo for the band continues to be used on every release. Albums include Osibisa, Wɔyaya, and A Monstrous … Good choice of name. Changes in the music industry however (punk and disco primarily) meant declining sales for the band, and a series of label changes resulted. The story starts in the town of Kumasi, in Ghana, West Africa, where Teddy Osei, the son of a gold and brass smith, started playing flute and drums at the age of 9, after being encouraged by a school-teacher. Osibisa were among the first Afro-Pop bands to cross over to European and American audiences in the early 1970s. Acting presented few opportunities “because as an African I was only being offered little roles, like playing a servant” so he decided to become a full-time musician. Richardson was replaced a few times by Kari Bannerman. The album’s art work, with the celebrated Osibisa logo of a flying elephant, was provided by Roger Dean, who became a rock world cult hero thanks to his sleeve designs for Yes. As for the final three tracks, they serve as further reminders of the way Osibisa could mix African styles and jazz. Learn about the elements of rhythm and the relevance of beat, time, and meter. Osibisa is so creative that each song will make you repeat it five times so you can hear every rhythm, melody, and harmonies that they have to offer. Last edit on Sep 16, 2018. Osibisa: criss-cross rhythms live in the early to mid 1970s Osibisa is Ghanian for…'criss-cross rhythms that explode with happiness'. The triad of Osei, Amao and Tontoh create sinister flares of brass that either add an ominous tone or make the music as joyous as they boast on the opening track. They gave me a motorbike and l drove around town checking on new buildings”),  but his life changed the day that he stopped off at a friend’s house to discover that his father had acquired a large collection of instruments, that he had once played in a local Salvation Army band. On September 22, music lovers, will gather to celebrate one of Ghana’s greatest musicians, Sol Amarfio who will be celebrating Then there’s the softer-edged Woyaya, another UK hit in T971 that would later be covered by Art Garfunkel, and there reminders of the band’s best-selling excursions into the pop mainstream, with their Highlife-influenced party favourite Sunshine Day (1975), the easy-going Dance the Body Music (1976) and the novelty track Coffee Song (1976). Osibisa were the most successful and longest lived of the African-heritage bands in London, alongside such contemporaries as Assagai, Chris McGregor's Brotherhood of Breath, Demon Fuzz, and Noir, and were largely responsible for the establishment of world music as a marketable genre. They were the first band to successfully promote West African styles, not just in Britain but right across the world, and the first African fusion band to notch up a whole series of best-selling singles and albums in the pop charts – with more international hits than any other African band has enjoyed since. Favorite. Favorite. Use a mixing console in Pro version. The new band were influenced by Highlife and those “criss-cross rhythms” from their homeland, but their new fusion style also included a dash of calypso “which was very big in Ghana”, along with rock guitar solos, and the jazz influences in Teddy and Mac’s brass work. Released in 1977 by Bronze Records (BRON 506) and reissued as 2-CD set in 1993 on CD format by Castle Communications (CBC 8046). It includes their first instrumental hit single, the jazzy and driving Music For Gong Gong, that appeared on their debut album, Osibisa, a best-seller on the pop charts in both the UK and USA in 1971. Later, after studying architecture, he began working as a building inspector (“a great job! No matter. [4][5] Their style influenced many of the emerging African musicians of the time and even now, as Ace Ghanaian hip-hop music producer Hammer of The Last Two stated that his debut production, Obrafour's Pae Mu Ka album, the highest selling hiplife album to date was inspired by a single song ("Welcome Home") by Osibisa. You then get five other songs of criss-cross rhythms before being brought to a riotous climax by "Think About The People". The third album, Heads, features a cover by Mati Klarwein, famed for his covers for Santana (Abraxas) and Miles Davis (Bitches Brew). -Robin Denselow on Osibisa – London, April 2009. Osibisa's self-titled album opened up their unique blend of African and Western styled music to a wider audience, charting in both the U.S. and Europe. He found that “being back on African soil after so many years away meant that more African ideas and songs started coming into the music”, and when the trio returned to London they set about recruiting a new bond to put their ideas into practice. Osibisa’s debut album displayed nmusic whose rock references, especially in the guitar solos, combined with vibrant African cross rhythms. Osibisa. Ayiko Bia, taken from the same album, is another track that shows the early Osibisa at their very best, with its unique blend of African chanting, jazz saxophone and rock guitar. osibisa African pop/Afro rock fusion band formed in London '69, still one of the most commercially successful African bands of all time, with their 'criss-cross rhythms which explode with happiness'. Osibisa is a British Afro-pop band, founded in London in 1969 by four expatriate African and three Caribbean musicians. Osibisa were ahead of their time. The band were semi-professional, but they “had 5 or 6 hit singles in Highlife, in our own language”, mostly recorded at a radio station that then boasted the best studio in the country, and they developed a following right across West Africa. Produced by Tony Visconti, Osibisa's extraordinary merger of African drum beats, colorful rhythms, and rock-inspired keyboard and horn parts give it an expansive sound that infuses countless musical influences. The band returned to Ghana to set up a recording studio and theatre complex to help younger highlife musicians. Within a year of that Roundhouse show, Osibisa had become a success, both here and in the States, and for the rest of the Seventies they would continue to sell records by the truck-load, and continually change styles. Rhythm Guitar – Roberto Abia* Other Versions (5 of 20) View All. Teddy’s band mixed their Highlife with jazz and with a variety of Western styles, because, he explains, “There were many ex-patriots from England or Germany in Ghana in The late Fifties, in the period just after independence, and they wanted to hear quicksteps, waltzes or foxtrots”. But in the Eighties it all suddenly changed, as these pioneers of the new global music scene fell from fashion just as the ‘world music’ movement was beginning to gather momentum. Difficulty: intermediate. Tuning: E A D G. Key: Cm. Osibisa brought a breath of fresh air to the concert goers, where audiences could get up and join in the excitement generated by this high energy band. He formed a band, The Comets, who specialised in the exuberant dance style of Highlife, The great popular music of Ghana that can be played by orchestras or guitar bands, and that was influenced by the osibisaba rhythms from southwest Ghana, from which Osibisa would later take their name. They really were there first, and their music is still worth celebrating. Teddy was joined in North Africa by two other Ghanaians, both of whom had worked with him in The Comets: his brother Mac Tontoh, who played trumpet, and drummer Sol Amarifo. The band succeeded because they were enthusiastic, original, and exciting. But he managed to get a job washing dishes at the Grosvenor House Hotel in Park Lane (“The posh one!”) and was delighted to learn that his country’s first President, the left-wing Kwame Nkrumah, had done exactly the same thing when he had been a young student in London. They were signed by the management term of Gerry and Lillian Bron, best known for their association with heavy metal band Uriah Heep, and their first album was produced by Tony Visconti, famous for his work with David Bowie and T. Rex. It was here that Osibisa was born. Author Neckwringer [a] 140,551. His music scholarship was cancelled, and once again he was forced to find a job. Rhythm The audience kept the rhythm going and sang along with the band. Add to playlist. View credits, reviews, tracks and shop for the 1975 Gatefold Vinyl release of Welcome Home on Discogs. [1] Their music is a fusion of African, Caribbean, jazz, funk, rock, Latin, and R&B and highlife. Playing on the original flying elephants theme, the Ultimate Collection set features elephants with tank turrets for heads. The original line-up consisted of Teddy Osei (saxophone, flute, and vocals), Mac Tontoh (trumpet and background vocals), Sol Amarfio (drums and backing vocals), all three from Ghana, Loughty Lassisi Amao (congas, percussion, and horns), from Nigeria, Robert Bailey (keyboards), from Trinidad, Spartacus R (bass), from Grenada, and Wendell Richardson (lead guitar and vocals) from Antigua; together they were also known as "the beautiful seven". Barry Manilow. Vocal Backing Track MP3 Following the death of keyboardist Kiki Djan, his daughter Vanessa Sullivan Djan, in an interview she granted a local newspaper RazzPaper, stated “They betrayed him! Their first two albums featured artwork (and logo) by famed progressive-rock artist Roger Dean (before he became famous for his artwork), depicting flying elephants which became the symbol for the band. English rock band formed in London in 1969. Osibisa were true pioneers. The Osibisa mix of what they called “criss-cross rhythms that explode with happiness” naturally included Highlife influences from Osei’s homeland of Ghana, along with jazz, rock, calypso and other Western Indian Styles, along with a dash of disco and unashamed pop. Edit. Osibisa had an energetic performance in India, at the November Fest 2010 on 28 November 2010 at the Corporation Kalaiarangam in Coimbatore, Tamil Nadu.[3]. They were trying to learn about music from other parts of the world”. He started out with a band called Cat’s Paw “playing covers of James Brown and Wilson Pickett, and a bit of Highlife”, but decided to change his style after being offered a two-month residency at a hotel and restaurant in Tunisia. After listening to it I became an instant fan. That was another betrayal”. Black Magic Night: Live at the Royal Festival Hall is a live double album by British Afro-pop band Osibisa recorded at the Royal Festival Hall on 19 July 1977 with live versions of songs from their previous albums. The name “Osibisa” derives from osibisaba – the Fante word for a proto-highlife African rhythm. The revitalised band remains active, although Osei has cut back his touring schedule due to the effects of a stroke. Genres: Afro-Rock, Jazz-Rock, Afro-Funk. In the 1990s their music was widely anthologised in many CD collections, most of them unauthorised and paying no royalties whatsoever to the band. In 1996 Osei reformed the band, and many of their past releases began coming out legally on CD. The band battled with record companies who wanted them to abandon their African influences and play disco, while hardcore fans of ‘authentic’ African sounds were put off by those earlier pop hits. The Osibisa mix of what they called “criss-cross rhythms that explode with happiness” naturally included Highlife influences from Osei’s homeland of Ghana, along with jazz, rock, calypso and other Western Indian Styles, along with a dash of disco and unashamed pop. In 1964 he formed Cat's Paw, an early "world music" band that combined highlife, rock, and soul. Osibisa discography and songs: Music profile for Osibisa, formed 1969. Rhythm 0 (1974) was a six-hour work of performance art by Yugoslav artist Marina Abramović in Studio Morra, Naples. And, Gandhiji would have loved Osibisa's rendition of his favourite bhajan, ‘Raghupati Raghava Raja Ram.' In 1969 he persuaded Amarfio and Tontoh to join him in London, and Osibisa was born.[2]. Woyaya chords by Osibisa. In 1980 Osibisa performed at a special Zimbabwean independence celebration, and in 1983 were filmed onstage at the Marquee Club in London. Issued in 1997 CD format by Red Steel Music Ltd. RMC 0208. The band kept going, and they are still going, 40 years on, with a repertoire of very different songs, and an incredible history to look back on. If I’m your friend and I’m into some form of immorality and you watch me go on with it till I crush, that is a form of betrayal! Osibisa are a Ghanaian Afro Rock band, founded in London in 1969 by four expatriate African and three Caribbean musicians. Edit. The music world was wide open back then, with all sorts of combinations of instruments popping up--lead flute, violin, horn sections. They were formed nearly two decades before the term ‘world music’ was invented, but their leader Teddy Osei can rightly claim that they opened the way for the global fusion scene, and for the success of later African stars, from Youssou N’Dour to Salif Keita. The name Osibisa was described in lyrics, album notes and interviews as meaning "criss-cross rhythms that explode with happiness" but it actually comes from "osibisaba" the Fante word for highlife. Amao left and was replaced by Kofi Ayivor, who was replaced by Potato but returned to the group later. He and his friend “started messing around with them” and went on To form a band, with Teddy at first playing drums, and Then switching to saxophone after Their sax player failed To Turn up for rehearsals. During this time Paul Golly (guitar) and Ghanaians Daku Adams "Potato" and Kiki Gyan were also members of the band. Yet another side of the Osibisa musical mix is demonstrated with their treatment of South African songs, from l Feel Pata Pata to the upbeat version of Nkosi Sikeleli Africa, which was originally a hymn before it became a National Anthem. In Ghana in the 1950s, Teddy Osei (saxophone), Sol Amarfio (drums), Mamon Shareef, and Farhan Freere (flute) played in a highlife band called The Star Gazers. Kiki wrote many songs when he was part of Osibisa but they never gave him credit for that. The first to exit officially was Spartacus R, who was replaced numerous times, once by the bassist of the group called Assagai and a few times by Jean Mandengue and others. This compilation, with songs specially chosen by Teddy, tells their remarkable story. Black Welsh guitarist Tony Etoria, who had a hit in 1977 with "I Can Prove It", joined on guitar in the early 1980s. Nkrumah was keen to promote his country’s culture, and after he had spent 2 years in London, Teddy was offered a scholarship by the new Ghanaian government, so he could study music full Time. Produced by Tony Visconti, Osibisa's extraordinary merger of African drum beats, colorful rhythms, and rock-inspired keyboard and horn parts give it an expansive sound that infuses countless musical influences. 478 views, added to favorites 2 times. Osibisa combined the horns of Chicago with the rhythms of Santana, adding an African sound into the mix. When l saw them first, playing at the London Roundhouse in July 1970, l was so impressed by their mixture of percussion and brass, and their full, tight sound, that l reported excitedly in The Guardian that ‘they deserve to be very big here’. Wikipedia [2] They left to form The Comets, with Osei's brother Mac Tontoh on trumpet, and scored a hit in West Africa with their 1958 song "(I feel) Pata Pata. [6] Teddy Osei, who refuted the reports said in an interview with Let’s Talk Entertainment (LTE) on JoyNews on MultiTV, the group took care of Kiki, who joined the band at age 18, until his death in 2004.[7]. Teddy’s life changed, dramatically, when Ghana’s President Nkrumah was overthrown in a CIA-backed coup in 1966. They were a band who could hold their own alongside the rock stars of the era, supporting the Rolling Stones or Pink Floyd (whom Osei delightedly remembers for a show at the Roundhouse in London where they were “frying eggs on stage, to mix in with their sound – it was incredible!”). Osibisa had an energetic performance in India, at the November Fest 2010 on 28 November 2010 at the Corporation Kalaiarangam in Coimbatore, Tamil Nadu. They were one of the most experimental bands of that decade of experimental music, the Seventies, because – as this timely new collection shows— their highly original style made use of a whole range of different influences. Joining them in the first incarnation were Grenadian Spartacus R (bass); Trinidadian Robert Bailey (keyboard); Antiguan Wendell Richardson (lead guitar and lead vocalist); and Nigerians Mike Odumosu and Fred Coker (bass guitar) and Lasisi Amao (percussionist and tenor saxophone). Life wasn’t easy. They toured the world, enjoyed success from America to Australia and India (where they notched up another best-selling album), and even played alongside Bob Marley at the Zimbabwe independence celebrations. [3] The name Osibisa was described in lyrics, album notes and interviews as meaning "criss-cross rhythms that explode with happiness" but it actually comes from " osibisaba " the Fante word for highlife. [2] The band spent much of the 1970s touring the world, playing to large audiences in Japan, Australia, India, and Africa. There were, he remembers “not many Africans in London at that time- it was mostly West Indians – and it wasn’t easy finding work”. Osibisa, a group of African artists, have made a living fusing jazz and African rhythms into a feast for the ears. Osibisa brought dancing back to the rock scene with their criss-cross African rhythms and established themselves as firm favourites with festival fans in the UK and throughout Europe. Welcome Home is the sixth studio album by British Afro-pop band Osibisa released in 1975 by Island Records ILPS 9355. Its current lineup since 2013 has been lead and rhythm guitarist Mick Box, keyboardist Phil Lanzon, lead vocalist Bernie Shaw, drummer Russell Gilbrook, and bassist Davey Rimmer. We both had bands and played for the other students”. Happily l was right, for there were many others who agreed. Osibisa feature in Prog Magazine issue 116 which is available from all good booksellers and supermarkets from the last day of 2020, Thursday December 31st. This title is a cover of Sunshine Day as made famous by Osibisa ... New York City Rhythm. Free shipping on many items | Browse your favorite brands | affordable prices. And as Osei remembers “the Americans liked it, it reached #2 in Holland, and audiences always ask for it when we play in Africa.They even liked it in Brazil!”. The work involved Abramović standing still while the audience was invited to do to her whatever they wished, using one of 72 objects she had placed on a table. Rhythm Guitar M S. Solo Guitar M S. Drums M S. View all instruments. Listening to these songs again, it seems remarkable that the band faded from fashion just as ‘world music ‘emerged. You'll love it - and try their other CDs also. He taught himself by “just playing, and listening to jazz heroes like Duke Ellington and Count Basie – all the great guys – and Trying to imitate what they were doing”. Frankie Valli & The Four Seasons. Every song on this CD sings to the soul. Continue. Attempts to define rhythm in music have produced much disagreement. 184 views, added to favorites 4 times. Osibisa is the merger of African rhythms with a Santana style of jazz fusion and a horn section that makes you think Chicago without the trombone. Richardson left in 1972 and returned in 1975 and henceforth "Welcome Home" and "Sunshine Day". Rhythm Guitar M S. Solo Guitar M S. Drums M S. View all instruments. Fela Kuti, who would later become Nigeria’s greatest star, was in London at the same time, also studying music, and Teddy remembers “he was doing the same as me. OSIBISA means Criss-Cross rhythms that explode with happiness, and what a precise name, the first thing that anybody who listens this band admires is the fantastic rhythm section, combining drums and bass with tribal percussion instruments in a delightful way, even Uriah Heep couldn't resist the chance to add their percussion to the song Look at Yourself. Jun 13, 2018 - Explore Frederick Reed's board "OSIBISA" on Pinterest. The world ” Caribbean musicians Negro Attacked by a Jaguar '' ( 1910 ) by Henri Rousseau was. 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